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BUKU Music + Art Project Guide

Earthgang performing at BUKU in 2019. BUKU Music + Art takes place March 20 and 21, 2020. (Photo: Katie Sikora)

BUKU Music + Art Project, or BUKU, as it is most widely known, turns eight this year as artists, organizers, promoters, musicians, and approximately 35,000 guests gear up for the two-day immersive event. Founded in 2012 by Winter Circle Productions and focusing on EDM, hip hop, and indie rock music, BUKU has solidified itself as a fixture of New Orleans’ festival season while retaining the same magic listeners would feel if they were at a house show.

Photo: Katie Sikora


I have attended BUKU for the last few years as a journalist with a critical eye and even though I wished all the youthful attendees would have dressed properly for the weather, the festival left me pleasantly surprised. With past performers like MGMT, Lana del Rey, GriZ, Toro y Moi, Nas, Alt-J, Major Lazer, Flosstradamus, Sleigh Bells, and dozens of others, the musical lineup is always the most talked about aspect of BUKU.

However, in a world with too many music festivals to count, it is the less obvious features of the festival that make it unique. Walking onto the festival grounds is akin to entering an outdoor museum dedicated to neon colors and bright lights. Last year’s festival grounds included a glowing water tower, a massive rainbow BUKU sign affixed above the VIP building, and massive light-up cube structure for the hippies to lounge around. The festival grounds were expanded for the first time last year which included more interactive art displays like the popular giant hammock strung between multiple (and multi-storied) shipping containers and a glowing LED tree for people to sit beneath.

Hosted every year at Mardi Gras World, the floats we watch roll through New Orleans every Carnival season become the backdrop for the weekend (see them in the Float Den) and that’s just the beginning. BUKU organizers have strived to bring together music lovers by providing installments for local visual artists, food vendors, and street performers throughout the fest.

Just a short walk from the entrance gate to the furthest stage, I took note of the two-story graffiti wall sectioned off for each invited artist to create an original piece while festival-goers watched on, a woman in a bikini strolling through the grounds with multiple Hula hoops spinning around her, and a pop-up break dancing competition. This year, keep your eyes peeled for my personal favorite artists Monica Kelly, Hugo Gyrl, Art by Jay, Ceaux, and Fat Kids.

DojaCat at BUKU (Photo: Katie Sikora)


Beginning on Friday, you can catch $uicideBoy$, 100 Gecs, Alison Wonderland, Lick, Bouffant Bouffant, Channel Tres, Charli XCX, Chris Lake, Artifakts, DJ Heelturn, Flatbush Zombies, Flume, Glass Animals, Goldlink, Go Pink, I_O, J. Worra, Lucky Daye, Malik Ninety Five, Mhadi G, Mr. Carmack, OHSO, Raise The Death Toll, Roddy Ricch, Space Jesus, Stone Cold Jzzle, The Trifinity, Treety, Troyboi, TSHA, Young M.A., and the almighty Taking Back Sunday close out Day One. 

Local acts like Trombone Shorty Academy and The Iceman Special join the fray as well as LLEAUNA, an original member of the New Orleans founded Techno Club collective and whose dark interpretation of that techno sounds mixes with her Natchez, Miss. roots to evoke the sounds of the Deep South. Catch Trax Only, another locally based DJ collective known for their all-night raves, that have created inclusive and safe spaces for the southern queer underground.

If you only have a one-day pass then fret not, Saturday is just as jam-packed with performers Ari Lennox, Cashemere Cat, Clozee, Dance Gavin Dance, Dom Dolla, Dominic Fike, Don Toliver, Eli & Fur, Gramatik, Illenium, JPEGMAFIA, Kaash Paige, Kaytranada, Kota The Friend, LSDream, Lucii, Legan Thee Stallion, P-Tab, Pluko, Pussy Riot, Run The Jewels, Subtronics,Turnstile, TVBOO, Upbeat Academy, Zeds Dead, Video Age, and (drumroll please!) Tyler, The Creator. 

But again, it’s the local acts that I get most excited for. This includes Tristan Dufrene, who can be seen DJ-ing all over town and describes her music as a “kaleidoscope of consciousness” that helps her blend and push the boundaries of house and techno music, and Lil Jodeci, the founder of Pink Room Project, a DIY music collective aimed at furthering the trajectory of local musicians onto the global level – who brings his mixture of Chicago house, Detroit techno, and New Orleans bounce and hip hop.

BUKU takes place March 20 and 21, 2020. (Photo: Katie Sikora)

Insider’s Tips

BUKU is an ADA accessible and a rain or shine event. Be sure to check the official website for a complete list of prohibited items (attendees are searched at the entrance). There is excellent local food and booze within the festival grounds.

The festival grounds are located adjacent to the Mississippi River with very few shaded areas. It does get hot during the day and cold when the sun goes down, so stay hydrated. Bring an empty water bottle with you to fill up at various water stations on site, and something warm to throw on at night.

BUKU’s Safe Space Policy emphasizes their inclusive values and clearly communicates them as follows: “Acceptance, compassion, encouragement, and love is what the BUKREWE stands for. Let’s stand together to keep each other safe to party in freedom.” They make it clear that they do not tolerate any form of bigotry, sexual harassment, racism, misogyny, homophobia, transphobia, or any other form of discrimination or hatred. And we are here for it.

BUKU Music + Art Project takes place on March 20 and 21 at Mardi Gras World in New Orleans. Tickets start at $110 for One-Day General Admission and $205 for Two-Day General Admission.

Katie Sikora graduated from the University of Miami with a degree in Visual Journalism and worked as Photo Editor at The Peninsula Pulse in Door County, Wis., Media Strategist for Levy Restaurants in Chicago, Ill., and an Archivist at The National World War II Museum in New Orleans, La. before pursuing her namesake photography business shooting everything from shark tagging research to vodou ceremonies and—you guessed it—weddings! Her photographs have been published by The Chicago Sun-Times, Gambit, The Times-Picayune, RedEye Chicago, The New Orleans Advocate, Houseshow Magazine, Antigravity Magazine, In The Bite Magazine, Thrillist, CBS Chicago, NBC Chicago, and the World Wildlife Fund amongst others. She is the creator and director of The Sexism Project, an ongoing portrait and interview series featuring the stories of real women in real industries experiencing real sexism.

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